how to draw a womans face

How to draw a female confront step by footstep

Welcome to a new Wacom sketch lesson. Today nosotros will learn how to draw a adult female'south face up. This - as we all know - can be a cute sight and is also ane of my own favorites. Of course, all faces look slightly unlike, depending on their origin, age, number of ears, etc., not to mention the mode of each creative person. Sometimes even the same face looks completely different in the forenoon than information technology does in the evening.

In this step-by-step guide we volition learn some basic guidelines that portrait, caricature, comic and anime artists all over the world take been using for many years when painting realistic faces. Of class, these are non mandatory rules and every artist can adjust and reinterpret them to their own style. With a task as challenging equally the female face, it can exist tremendously helpful to do and keep this guide in heed.

In this course we will draw a female face from our imagination and learn some essential tricks and techniques to make it look realistic. We will start by constructing the head shape, and so add the features, and finally give the face some fine-tuning and color. I hope you lot find the form inspiring, and that you will be able to employ this arroyo for yourself in the future.

This class is mainly aimed at beginners, but an experienced artist may discover something new too. I'g also going to talk about the workflow on the computer with a graphic tablet and the advantages of digital devices. However, you can follow the course with pen and paper also.

I wish y'all a lot of fun while drawing and great results.

How to draw a female face Affiliate A:
Geometric Shapes

01 Begin with a circle

Commencement, brand a pocket-size construction drawing. With the help of some basic shapes, the head, eyes, nose and mouth tin can be positioned with ease.

Nosotros start with a circumvolve. Cartoon a circumvolve is not the easiest thing in the globe. If y'all don't succeed right abroad and your circle looks like a cubist white potato, try to gear up your wrist and sketch the circumvolve from the rotation of your forearm. Yous can also - like me - try to arroyo the circumvolve shape with several quick strokes. Don't worry if your construction cartoon doesn't look very nice. You won't see information technology at all in the end.

02 Center axis

Now nosotros sketch a straight line in the center of the circumvolve. I call it "center centrality", considering left and right should be more or less symmetrical, as it is in faces.

03 Vertical guide lines

Time for some guidelines: Cutting the circle with a horizontal line. We transfer this one-half circle acme downwards to the extended central axis.

Within the circle, nosotros cutting each one-half in half once more with 2 modest lines. This way we have divided the circle into four parts and added some other half circumvolve height at the bottom.

04 Ane more circle

At present nosotros demand a smaller circle. Don't worry, nosotros take almost finished construction. The pocket-size circle goes from the third line of division to the very lesser. So, it is ¾ every bit big every bit the large circle. Nosotros also mark the center of the smaller circle.

05 Cheeks

Construction finished. Time to describe the rest. Connect the two circles into a single shape. These joined circles volition make upwards the skull and lower jaw as in that location are no bones sticking out, this should be pretty like shooting fish in a barrel.

Y'all can brand the connecting lines direct or curve outwards, depending on how well nourished yous want the confront to await. The cheeks could also sink inwards if y'all desire a gaunter look.

06 Vertical positioning

How skillful that we have constructed so bravely. Considering now we know exactly where everything should be located:

• At the top quarter line is the hairline.

• The circle-middle line - well, maybe we could have left that out. Simply experienced artists know: to make a quarter, you have to make a half first

• The next line is for the optics. Yes, they are really that low. They sit down halfway down the face.

• The nose ends exactly at the lower border of our first circle.

• And the oral fissure sits at the heart of the small circumvolve.

07 Horizontal subdivision

In gild not to draw eyes and rima oris too wide or as well narrow, we subdivide the face up once again, this fourth dimension horizontally. We cut each side in half, so half over again. This gives us a full of viii equally wide parts.

The left eye extends from the second to the fourth dividing line and the right mirrors it on the other side. The pupils sit in the center of the optics at the third subdivision line, exactly in the heart of each half.

The mouth is about as wide every bit the distance between the pupils. Sketch a pair of eyes, a mouth and a minor U-shaped line for the nose. This doesn't take to be perfect, but be certain to define the corner points clearly.

08 Head shape

Now that nosotros know where the eyes, mouth and nose are located, we tin remove some of the guidelines. Go along the ane for the hairline, we'll need it over again at the cease. Now that nosotros meet the face for the first time, nosotros tin rework the head shape a bit. A woman's head shape is softer and less athwart than males. Therefore, the outlines of the head shape should be drawn with softer curves.

We offset with a U-shaped curve at the chin. Try to draw the chin as symmetrically every bit possible. The narrower the mentum, the more feminine the face volition look. Simply if the chin is too narrow, we might accidentally draw an alien.

When satisfied with the chin, outset with a new line at the elevation of the forehead. Get-go, follow the circle from our sketch. At eye level our head shape makes a barely noticeable dip inward. In one case there, elegantly swing around the cheek and depict an almost directly line towards the chin, where our lines see.

09. Mood of our confront

At present to determine what state of heed our woman'southward face has. This depends primarily on whether the eyebrows and mouth are pointing upwards or down.I have decided on a satisfied, good-humored face. The rima oris points slightly upwardly, the eyebrows are relatively neutral.

10 Cease of the preliminary drawing

Our preliminary drawing is finished. I have indicated the areas for the eyebrows and sketched the lips a flake. But don't worry, we'll go into all the details correct away.

How to depict a female person face
Chapter B: Details of the face

In the next affiliate we will accept care of the details for our face.

eleven Preliminary drawing as orientation

Place your preliminary drawing equally a separate layer in the groundwork and make it a little lighter so you can still use information technology as a guide, without it existence too distracting.

12 The upper eyelid

The shape of the upper eyelid varies from person to person. Even small differences have a great event on the appearance of a confront. Basically, the upper eyelid (especially the female eyelid) describes a curve that rises relatively sharply and and so falls off weakly. The easiest style to reach this bend is to first from the outside.

xiii The lower eyelid and the pupil

The lower eyelid describes a slightly flatter arc than the upper ane. Information technology does non start direct at the end point of the upper eyelid. The upper eyelid goes a footling further outward. In addition, the lower eyelid can curve slightly upwardly on both the outside and inside. In a laughing person, this outer curvature is particularly pronounced because the laugh muscles push the outer edges of the eyes upwards.

Depending on how of import this facial characteristic is to us, we tin can describe this line several times.

Identify the educatee so it lies against the upper eyelid. This creates the effect of the eye looking directly at us.

xiv Iris and upper lid crease

The upper hat crease is the most romantic crease of the face. Eyelid wrinkles that impact the upper eyelid at certain points create different effects. For case, exaggerated, high eyelid creases create the well-known bedroom expect. It is worthwhile to experiment with the upper eyelid crease, as it tin limited completely different moods.

The standard eyelid crease, when the middle is at residuum, runs almost parallel to the upper eyelid. Since things are rarely exactly parallel in nature, the eyelid pucker can move slightly away from the eyelid towards the middle of the line and approaches the middle of the face over again.

Geometrically, the iris is a circle concentric to the pupil. It is about half as broad as the total area of the eye. Of course, we do not draw a complete circle, because the iris is covered by the eyelids at the top and bottom. Information technology may be easier to depict a complete circle for the iris first, and to remove the covered parts afterwards.

15 Eyebrow

For the eyebrow, sketch an area which to make full with hair afterwards. This area is rather pointed towards the outside. Female eyebrows tend to exist a little narrower than those of men and can have a steeper arch. Simply be careful - this can appear severe.

The hair of the eyebrows starts inside at a 45-caste angle and becomes flatter towards the outside. It'due south best to draw the pilus with lots of fast strokes. Start on the inside, and draw each hair at a slightly kickoff bending.

In this digital age, hair that protrudes too much can exist easily erased using a pen tablet.

16 One more than center

Yous can also re-create and even mirror things on your tablet. Notwithstanding, in that location were eyes and faces long before the digital age. And no two eyes ever await exactly the aforementioned. And last but not to the lowest degree: You accept to practice!

17 Iris Texture

The middle and especially the iris are complex structures, fabricated of many fine shapes and colors. Nosotros can arroyo this view graphically by cartoon many fast alternating black and white fine lines from the pupil to the edge of the iris. We can also fill the iris with color afterward.

eighteen Reflection

The final touch is given to the eye by light reflection. This can be a simple white point, several points, a window or even a whole landscape. We attain a pleasant effect with a simple shape that does not cover too much of the eye. We do not want to illuminate the whole eye. Less is more.

19 The mouth

The mouth is not a gently running line. The corners of the oral fissure, i.e. the outer edges of the line should exist defined with a trivial more pressure or with small corner creases. A typical feature of the female person oral cavity is the small curvature of the mouth pucker in the middle.

I made the mouth a bit narrower than in the preliminary cartoon, because it seemed more than coherent to me.

Don't forget to always look at your cartoon every bit a whole and cheque if everything is in its place. Maybe y'all desire to change something? What can exist improved?

20 Upper lip

Male and female faces likewise differ in the thickness and curvature of the lips. We first the upper lip equally symmetrically as possible with two slightly ascending, quickly drawn strokes

from the corners of the oral cavity towards the middle. In the 2d step, we let the two strokes plough into a V with two steep curves.

21 Lower lip

The lower lip may exist slightly thicker than the upper lip, but this is not a must. The line may go slightly flat towards the heart.

The oral cavity may end up looking a lilliputian like a sticker stuck on the face. To prevent this, just use a piddling cartoon flim-flam. Get out a gap between the lower lip line and the corners of the upper lip, allow the line gently run out and indicate towards the corners of the rima oris.

22 Nose tip

The olfactory organ is known to protrude furthest from the face. This may be a little easier to describe in profile, just in the frontal view information technology presents us with certain difficulties. Equally nosotros only have ii dimensions at our disposal, we accept to piece of work with something called 'perspective shortening'. This can be a challenge especially for beginners, simply we can avert any problems by applying a uncomplicated formula: Draw the tip of the nose as a small horizontal line pointing slightly up. On both sides of the tip of the olfactory organ we continue with slightly outwardly curved strokes.

23 The nostrils

The nostrils start very shut to the outer sides of the nose tip. They are virtually horizontal at the lower cease and signal at the upper terminate in approximately the management of the reverse inner eye fold.

Now we should check the confront every bit a whole. Is the olfactory organ too large or too minor? Likewise wide? Likewise narrow? You lot can modify the nose until you are satisfied. About graphics programs can likewise help you lot with the transformation tool.

24 Adjust head shape

At present that nosotros have drawn all the important parts of the confront, it is advisable to adjust the caput shape one last time. In principle, we can transfer the head shape from the preliminary drawing to the final drawing in pretty much the aforementioned style. Yous may notice some spots that need changing slightly.

25 Two lines

Amid many possible shadows and wrinkles that faces could have, I have chosen two that I like to apply, especially on female person faces.

I is the mentum pucker under the lower lip. It defines the chin and visually widens the mouth area.

Another is the cheek shadow (on the left). This is one of the typical features of a woman's face. Information technology usually takes a few tries to become the cheek shadow where it should be, so that the face up doesn't wait besides bony or smiling.

26 2 boxes

Once more, this step is nearly determining a position. The ears stretch from the eyes to the tip of the nose. As we run into the confront from the front, the ears don't appear circular, but almost flat confronting the head. Draw two pocket-size, slightly V-shaped boxes.

27 The ears

1 of the dandy advantages of the female face up is that in that location is usually a lot of hair covering the ears, so we may non even have to depict them. The ear is a rather complicated structure with many angles, wrinkles and shadows and should probably exist described in more detail in a separate grade.

I have therefore indicated in the picture how to draw a somewhat bathetic ear in three simple steps. The ii boxes help us to practise this.

In the next affiliate our face will get hair and final touches, including colour.

How to depict a female face up
Chapter C: Hair and concluding touch

28 Hairline

Hopefully you haven't erased the little hairline guide. If you have, don't worry, we can position the pilus by observing the rest of the face up.

Hair, like ears, is a scientific discipline in itself and basically needs its own tutorial. But I volition limit myself to a few lines to describe it.

We offset with a rough sketch of the vertex and outer edges of the hairstyle. Information technology'southward best to describe this on a separate layer, so that we can easily hide the preliminary cartoon of the pilus later. The line for the parting runs from the hairline auxiliary line - here a little to the right of the eye - in an upwards sweep that is every bit elegant equally possible. From the vertex, the hair falls towards the ears on both sides. Depending on how loose the hairstyle should look, several lines running side by side can also limit the hairstyle.

29 The neck

Below the ears the hair reappears and falls downward freely in several brisk strokes. On this occasion we tin also indicate the neck.

While drawing the hairlines you will notice certain curves, curls or areas that you lot'd like to add to. Don't go into too much item yet.

30 Falling direction of the hair

This step is not most cartoon slow cautious lines, simply about drawing the hair in a sweeping and brisk manner. Of course, we don't draw every single hair, but rather report the fall directions of the hair at the different places. Subsequently we can define them with a few clear strokes. Hair grows in tufts, and inside these tufts it all grows and falls in similar directions (not criss-cross). I've created several tufts of pilus and hairstyle areas in the image quite arbitrarily. There are no limits to your imagination. Hair is always the fun part.

31 Final artwork of the hair

Once your hand gets used to the fast movements, lines, and curves of the hair strokes, it is much easier to ascertain a clear, sweeping hairstyle. For the concluding drawing of the hair, it is recommended to utilise a carve up layer again. Hither we can orientate ourselves on the pre drawn hairstyle and subsequently, as already mentioned, simply hibernate information technology. If necessary, we tin can also erase hair that is too long and protrudes into the face without erasing the face itself. It's worth experimenting with unlike line widths and degrees of coverage when drawing the hairstyle. In our picture I accept emphasized the individual strands with a darker line, while within the strands the indicated subdivision lines are much lighter and less prominent. The almost important thing when drawing hair is still the line speed. And fortunately, in digital cartoon, whatsoever imperfect stroke can be undone until it fits.

32 Optional detail work

Of course, the possibilities for detail work are almost unlimited. Here are a few examples that can be fun:

• Adding another signal of light in the center.

• Texture the lips with the same technique every bit the iris.

• Calculation a subtle shadow at the bottom of the nostrils.

33 Bonus: A chip of color at the end.

I hope you had fun and plant some helpful tips for your time to come drawings. Of course, you can't cover all aspects of a creative topic in a single tutorial.

We will go into more details and variations in future courses, such as: How to draw a face from dissimilar perspectives, Faces of different ages, Pilus - nose - ears in detail, Coloring of faces, Other parts of the torso, Easily - feet - torso, and The male face up, etc.

This tutorial is designed to provide a solid foundation on which any aspiring artist tin can build. As in any fine art grade, the results depend on regular practice. Don't be frustrated if yous don't like your first drawings. You will get better with every painting. Stay tuned, go inspired and have fun with it.

Create expressive faces. Get started with Wacom 1.

Wacom One is platonic for bringing facial features to life. The natural surface friction and minimal reflection creates a pen-on-paper feeling on the xiii.iii" screen. The pen feels light and natural in your hand and transforms into a pencil, paintbrush or chalk in your selected software. Information technology can fifty-fifty be used as an eraser. Perfect for refining the details to create lifelike faces. Artistic software comes included, along with the ability to connect to your Mac or PC, too as certain Android devices.

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